Wynonna Judd Reveals 2026 The Hard Truth Tour Dates
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Bernard Purdie, Nate Smith & Tia Fuller Join Vulfpeck At Newport Jazz Festival
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Zac Brown Band Brings Out Gary Cherone & Mac McAnally + Gives Aways Free Cruises At Fenway Park
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Jimmie Vaughan Joins Bob Dylan At Summer Tour Finale In Nashville
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Watch Angine de Poitrine Make U.S. Debut At Newport Jazz Festival
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Tori Amos Honors Glen Hansard With ‘Falling Slowly’ Debut In Boston
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Dark Star Orchestra Delivers Jerry Garcia Birthday Show Recreation At Greek Theatre Berkeley
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Olivia Rodrigo Joins The Smashing Pumpkins At Lollapalooza
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Tedeschi Trucks Band Welcomes Black Crowes Members & Lukas Nelson At Red Rocks
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Phish Hits Home Run At Fenway Finale
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Phish ‘Melt The Guns’ With Biggest Bust Out Of Career At Fenway Park Return
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Bill & Jilian Nershi Join Daughter Lauren to Form The Nershis, Announce Debut Album
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Cardi B Releases New Single ‘AH HA’
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Remi Wolf Returns With New Single ‘Twiggy’
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Watch Billy Corgan Join Yungblud For ‘Zombie’ In Chicago
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Sombr Brings Out 5 Seconds Of Summer At Lollapalooza
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Billy Strings Shares New Song Inspired By Michigan Hometown ‘Mill Town Flood’
Billy Strings shared “Mill Town Flood,” a new single from his forthcoming T Bone Burnett-produced album, ‘So Much For Goodbyes.’
10 New Albums Out Now From Ariana Grande, Shaboozey, Buffalo Traffic Jam & More
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Get Tickets To See Jim James, Dark Star Orchestra, Orville Peck, Faith No More & Others
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Valerie June Returns To The American Songbook On New ‘Brighter Blue’ EP
Valerie June announced her new EP, Brighter Blue, due September 11 via Concord, and shared "Smokestack," a fresh interpretation that combines the blues classic "Smokestack Lightning" with the traditional folk song "In The Pines."
X-Men Fans Are Rediscovering That Samara Weaving Is a Huge Gamer After Emma Frost Casting
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Kevin Feige Reveals Why Marvel Fought to Keep Sadie Sink's Role in Spider-Man: Brand New Day a Secret
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Movie-Goers Evacuate Spider-Man: Brand New Day Screening After Viewer Lets 'Rotten' Fart Rip
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Sony's Spider-Man Spinoff Universe Might Be Dead as Company Confirms It Has No Movies in Active Development
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Dave Bautista in Talks to Join God of War TV Series as Kratos
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'I Would Need It to Be Completely Unconventional' — Andrew Garfield Is Open to The Amazing Spider-Man 3 on One Condition
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Sony Pictures CEO Jabs Anti-Theater Sentiment as Spider-Man: Brand New Day Breaks Box Office Records
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The Steam Frame Might End Up More Expensive Than the Steam Machine
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Shift Up CEO Defends Stellar Blade: Blood Rain AI Music Video Against Player Backlash
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Microsoft Reportedly Working to Bring Xbox 360 Games to PC and Project Helix
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Announcing Game Scope: IGN Daily Game #001
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Rockstar Games Killed Midnight Club 5 Because It Wasn't as Big as GTA, Ex-Designer Claims
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'To Be Able to Identify the Mechanism Does Not Invalidate the Mechanism' — Christopher Nolan Lays Out a 'Fundamental Flaw' With Amateur Film Criticism
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Assassin's Creed Black Flag Resynced Update 1.0.6 Launches Tomorrow — Here Are the Patch Notes
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Avengers: Doomsday's Chances of an IMAX Release Just Got More Likely
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Pokémon Go's LEGO Store Promotion is Now Live — Here's Where to Find a Location Near You
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Spider-Man: Brand New Day Officially Dethrones Avengers: Endgame With the Biggest Domestic Opening Weekend in History
Spider-Man: Brand New Day has shattered Avengers: Endgame's domestic opening weekend box office record.
Spider-Man: Brand New Day Is Getting an IMAX Release Very Soon
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Nintendo Direct Announced, Focused on Fire Emblem: Fortune's Weave
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Warhammer 40,000 Animated Series Produced by Henry Cavill to Tell a 'Long-Form Story' Featuring The Deathwatch
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New Music Friday July 31: Carly Simon, Ariana Grande, Cardi B, benny blanco, Selena Gomez, Becky G and More
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Star Sightings: Minka Kelly Rocks a Chic Look in New York City, Tom Holland Is Out and About in Paris
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Dr. Steven Gundry Says 'Eating Your Sunscreen' Could Be the Secret to Glowing Skin
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Billy Strings Offers Jerry Garcia/David Grisman’s “Arabia” in Bethel, NY
Billy Strings hosted a big camping weekend at Bethel, NY’s Bethel Woods Center For The Arts over the weekend. The bluegrass guitar prodigy loaded his first shows at the historic venue, which is located on the site of the original Woodstock festival, with special moments, beginning during his first set on Friday, July 31, when he debuted “Mill Town Flood,” a track off his forthcoming record So Much for Goodbyes. On night one, he also brought back a pair of tunes for the first time this year, Leon Rusk’s “Airmail Special” and Bobby Davidson’s “If Your Hair Is Too Long, There’s Sin In Your Heart,” the latter of which found Strings and most of his band gathered around a single mic.
The special moments continued the following day, Saturday, August 1, which happened to be Jerry Garcia’s birthday. A few songs into the show, Strings nodded to his surroundings by teasing Jimi Hendrix’s “Who Knows” during his own “Doing Things Right,” and he offered a more pronounced nod to the guitarist a bit later by covering “Love or Confusion” during second two. Exactly one year after he joined Dead & Company at San Francisco’s Golden Park Park, during one of Bob Weir’s final shows, Strings also celebrated Garcia’s birthday by both closing his first set with his second-ever cover of the adventurous Garcia/David Grisman number “Arabia” and kicking off his second set with Charlie Monroe’s “Rosa Lee McFall.”
Garcia started played the latter bluegrass tune as early as 1964 with the Black Mountain Boys and famously performed an acoustic arrangement with the Dead in both 1970 and 1980 as well as with the Jerry Garcia Acoustic Band in 1987. Strings had not dusted off the tune in almost four years before Saturday, last offering it on anniversary of Garcia’s passing, August 9, in 2022. The original “Everything’s The Same” and the traditional “Make Me a Pallet on the Floor” also received their first 2025 airings during the August 1 show.
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Tedeschi Trucks Band Welcome Members of The Black Crowes, Honor Jerry Garcia at Red Rocks
Photo by Bradley Strickland via Tedeschi Trucks Band’s Facebook page
Over the weekend, Tedeschi Trucks Band made their way to Morrison, CO’s Red Rocks Amphitheatre for marquee shows on Friday, July 31 and Saturday, August 1, after Susan Tedeschi cancelled a pair of festival stops due to appendix surgery a few weeks earlier. Lukas Nelson opened both nights and the guitarist honored Jerry Garcia on his birthday Saturday by performing “Althea” for the first time with his current solo combo.
The evening’s headliners kicked off Friday’s show with a pair of Sly & the Family Stone favorites, segueing from “You Can Make It If You Try” into “Everyday People.” In addition to their own modern classics and trademark mix of covers, the outfit prominently nodded to Derek Trucks’ time in The Allman Brothers Band, offering up “Come and Go Blues” and “Dreams” as well as a bit of “Mountain Jam” during their original “Pasaquan.”
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Old Crow Salute Jerry Garcia at the Cap, Film ‘Live From Relix’ Session
Old Crow Medicine Show spent Saturday, August 1, at Jerry Garcia’s onetime stomping grounds, Port Chester, NY’s Capitol Theatre, and marked the occasion by dotting their setlist with both expected and unexpected tributes to the Grateful Dead guitarist.
Just four songs into their extended set, Old Crow busted into their frequent cover of “C.C. Rider,” a blues number the Dead picked up in 1979. Soon after, the roots group moved into Bob Dylan’s “Stuck Inside of Mobile With the Memphis Blues Again,” which the Dead played 70 times between 1988-1995, and the traditional “On the Road Again,” which Garcia performed with Mother McCree’s Uptown Jug Champions in his early days and with the Dead in both 1966 and the 1980s.
Returning to the string-music theme, after “On the Road Again,” Old Crow ran through back-to-back renditions of the traditional “I’ve Been All Around This World,” which Garcia played with both the Dead and his solo projects at various points from the ’60s-’90s and another song that frequently surfaced when Garcia played in an acoustic format at different points in his career, Jesse Fueller’s “Monkey And The Engineer.”
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Gov’t Mule Collaborate with Joe Bonamassa, Nod to Jerry Garcia
Gov’t Mule had an eventful weekend on the road, during which they both collaborated with their tourmate Joe Bonamassa and honored Jerry Garcia on his birthday.
On Friday, July 31, Gov’t Mule’s joint run with Bonamassa landed at Bangor, ME’s Maine Savings Amphitheater at Bangor Waterfront. Like he did on the tour’s opening night in Virginia on Wednesday, Bonamassa emerged during Gov’t Mule’s first set for a tune from the Allman Brothers Band songbook, this time appearing on “Dreams.” Haynes returned the favor during Bonamassa’s performance as well, slipping on stage for Billy Cobham’s “Stratus” for the second show in a row.
The next night, the two acts co-headlined an evening at Gilford, NH’s Bank of New Hampshire Pavilion at Meadowbrook. With the show falling on August 1, Garcia’s birthday, Gov’t Mule put together a multi-song tribute to the Grateful Dead guitarist partway through their concert. The sequence kicked off with “Patchwork Quilt,” the original Garcia tribute Haynes recorded with Phil Lesh & Friends for 2002’s There & Back Again album. Immediately after, Haynes pulled out Garcia’s famed Wolf guitar and used it on two classic Dead songs, “Dark Star”—the first time he has played the number with Gov’t Mule since August 9, 2022—and “Fire on the Mountain,” which the Mule had not played since February 17, 2024. (Earlier in the night, the Mule also revived “Steppin’ Lightly” for the first time since May 18, 2023.) Bonamassa and his B3 organ player Lachy Doley then emerged for Ann Peebles’ “I Feel Like Breaking Up Somebody’s Home Tonight.” For the third show in a row, Haynes circled back to the stage later on during Bonamassa’s portion of the show as well, once again sitting in on “Stratus.”
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Melvin Seals and Jacklyn LaBranch on Jerry Garcia’s “Magic Band”
photo: Jay Blakesberg
As we enter the Days Between, marking Jerry Garcia's birth on August 1, 1942 and his passing on August 9, 1995, we share this piece, which draws together a spring 2020 conversation with Melvin Seals, who began performing with the Jerry Garcia Band in 1980, along with an archival interview with Jacklyn LaBranch, another Jerry Garcia Band alum, who joined the group in 1982, at Seals' suggestion.
Melvin Seals, Jacklyn LaBranch and the Jerry Garcia Band (with Ashley Judd) recording a music video for "Smoke Gets in Your Eyes" from the Wayne Wang film Smoke at Tosca Cafe in San Francisco, 4/17/95 (Photo credit: Jay Blakesberg)
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Dark Star Orchestra Honor Garcia and Weir at The Music Never Stops Rex Foundation Benefit
Over the weekend, Dark Star Orchestra both honored Jerry Garcia’s birthday and marked the one-year-anniversary of Bob Weir’s final live performances with a pair of guest-filled shows at Berkeley, CA’s Greek Theatre. Billed as The Music Never Stops: A Rex Foundation Benefit & Tribute to Bob Weir, the concerts included support spots from Melvin Seals & JGB featuring Jazz Mafia Horns and Peter Rowan & Sam Grisman Project on Friday and Saturday, respectively. A range of special guests also sat in with the Grateful Dead tribute act during Friday’s festivities, including Weir's onetime bandmates Dave Ellis, Barry Sless, John Kadlecik, Mark Karan and Jay Lane. Of note, John K’s appearance marked a rare reunion between the guitarist and his former band—he co-founded Dark Star Orchestra in 1997 and remained with the group until 2009, when he left to focus on Furthur, and has only sat in with them a handful of times since during the past 17 years.
Friday’s show, which was an elective DSO setlist, kicked off with a version of Weir’s classic solo cut “Cassidy” featuring former RatDog/The Other Ones saxophonist Ellis. Dark Star Orchestra then charged through “Loose Lucy” and “Box of Rain” and brought out pedal-steel player Sless, a longtime member of the extended Dead commiunity most recently known as a member of Bob Weir & Wolf Bros, for “Let It Grow” and “Ramble On Rose.” From there, the band moved on to “Black-Throated Wind,” which DSO guitarist Rob Eaton introduced as his favorite Weir song, and “Cumberland Blues” sans guests, before Seals, Kadlecik and Lane, who played drums in almost all of Weir’s long-term projects after 1995, all emerged for “Corrina.” After that unique take on the Weir/Robert Hunter original, Seals and Kadlecik stepped off the stage, Lane remained and former RatDog/The Other Ones guitarist Mark Karan slid in for a set-closing take on “Shakedown Street.” During the second half of their show, Dark Star Orchestra mostly showcased their current lineup. However, for their “Drums” segment, Rob Koritz and Dino English welcomed Lane, Melvin Seals & JGB drummer Jeremy Hoenig, Sages and Spirits’ Jake Wolf and The Everyone Orchestra’s Matt Butler for a veritable super jam.
The Music Never Stops’ Saturday setlist also contained several notable asterisks. After Grisman and Rowan, appropriately, concluded their set of Old and in the Way material with that group's eponymous song, Dark Star Orchestra recreated the Grateful Dead’s famed August 1, 1973, show at Jersey City, NJ’s Roosevelt Stadium. As previously reported, DSO guitarist Jeff Mattson played Garcia’s famed Alligator Stratocaster, on loan from Grateful Guitars Foundation founder Andy Logan, throughout the night. (Making it a full-circle moment, Garcia last utilized Alligator at the original August 1, 1973, Roosevelt Stadium show before retiring it. Since then, the guitar has only been played twice by Mattson—at the Warfield in San Francisco in 2020 and at this Saturday’s performance.)
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Eyes of the World: The Jerry Garcia Experience Set to Launch In San Francisco in 2027
Jerry Garcia Music Arts has partnered with the specialized media company JGE to bring to life Eyes of the World: The Jerry Garcia Experience, a new, immersive, 40,000-square-foot touring event. Built from an original vision Garcia himself began sketching more than 30 years ago, the singular exhibition is set "to bring to life his music, visual art and musings.” Fittingly, Eyes of the World: The Jerry Garcia Experience will launch in San Francisco in early 2027, before traveling to cities around the country.
Decades ago, Garcia, counterculture icon Ken Kesey and producer Cary Granat, who is a partner in JGE, worked together to develop an animated film and location-based experience designed to immerse audiences in an “experiential journey celebrating joy, freedom and unconventional individualism.” Now, Granat, Laura Rister of Esme Grace, Jerry Garcia Music Arts licensing agent Chris McCutcheon, technology pioneer and producer Josh Courtney and a team of multimedia artists have partnered with Jerry Garcia’s youngest daughter, Keelin Garcia, and the guitarist’s onetime wife, Manasha Garcia, to bring the guitarist’s original creative blueprint to fruition.
“My father began creating this exhibit with Cary more than 30 years ago. It was his dream project. Bringing it to life as he imagined is a deeply meaningful experience. We are honored to work with the people he trusted creatively. We look forward to bringing Eyes of the World: The Jerry Garcia Experience to the fans he loved,” Keelin Garcia, co-founder of Jerry Garcia Music Arts LLC, said in a statement.
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moe. Welcome Special Guests, Honor Jerry Garcia at The Caverns
Over the weekend, moe. hosted their moe.down Underground event at Pelham, TN’s The Caverns. Shadowgrass opened on Friday, July 31, lespecial provided support duties on Saturday, August 1 and both shows leaned into the event’s festival-like vibe with some special musical surprises.
Fittingly, given the venue’s subterranean location, moe. kicked off their first set Friday with back-to-back versions of the Sticks and Stones track “Deep This Time” and The Conch cut “The Pit.” Soon after, the sextet also turned heads by busting out their cover of Black Sabbath’s “Paranoid” for the first time since October 30, 2021, marking only the fourth time they had played the classic hard-rock number live. Later in the show, they also nodded to their surroundings by opening their second set with a newer original, the Circle of Giants song “Bat Country.”
In addition to a proper two-set show in the cave, on Saturday moe. offered a bonus 2 pm acoustic spot in The Caverns’ Shady Grove performance space. The Buffalo, NY-bred act loaded their unique show with covers, including their take on Blind Faith’s “Can't Find My Way Home” and their second-ever stab at Old Crow Medicine Show’s sing-along “Wagon Wheel,” which they last played in Nashville, TN, on March 7, 2015. They also honored Jerry Garcia on his birthday with a version of the Grateful Dead classic “Casey Jones,” with drummer Vinnie Amico joining Al Schnier on the mic and Jim Loughlin moving behind the kit, and brought a fan named Bobby to the stage to sing the “half in the bag” line in “Moth” after Schnier invited moe. bassist Rob Derhak's musician daughter out for the part and she was not there. Then, during their headlining show in the cave later that night, moe. welcomed lespecial guitarist Jonathan Grusauskas back to sit in on one of their showstoppers, “Opium.”
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As the Days Between period honoring Jerry Garcia continues, Jerry Garcia Music Arts has partnered with Ted Harrington and his company, Terrapin Stationers, to rerelease the Grateful Dead guitarist’s 1992 art book, J.Garcia: Paintings, Drawings and Sketches. The rare volume compiles Garcia’s artwork, which is still shown in gallery exhibits and museums worldwide to this day.
“In 1987, while reviewing edits for the ‘So Far’ video, Jerry shared a whimsical sketch with Manasha,” Ted Harrington of Terrapin Stationers said in a statement, citing the inspiration Garcia received from to the woman he was married to at the time of the book’s original publication. “She was amazed by his visual artistry and encouraged him to sign his work. That simple suggestion inspired Jerry to begin signing his art and carrying sketchbooks on every tour from that day forward.”
“I loved painting and drawing with my father. It is touching to know his art continues to bring so much joy to others today,” Garcia's youngest daughter Keelin, who would often join her dad in the family art room while he worked when she was a child, added.
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Phish’s Fenway Finale: Now with More “Tweezer”
Photos by Stevo Rood
Call it a summer tour closer, if you’d like. It certainly felt like one. Yes, Phish will still symbolically close out the season with a three-show, Labor Day weekend residency in Colorado. Yet, Saturday night’s finale- the last in a month-long U.S. trek, capped with this second of two shows at the Boston ballpark- had all the hallmarks of a culminating celebration.
Clearly, when Phish rolled into Beantown, the Vermont quartet was still riding rather high off of a five-show stand- marked by the group’s time-machine trip through its 1990s heyday- at New York City’s Madison Square Garden. So, after a Friday appearance at Fenway that resembled more the present state of the foursome, the contrasting follow-up was a throwback to the magic ‘90s in many ways, with just a bit of contemporary garnish. For Phish, and it’s faithful packed in at the Park, the majestic moments of classic rock regality seemed to resonate most.
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